The pattern I chose had an Asian feel to it, as do so many of my garments - it was one of Lorraine Torrence's patterns, Grainline Gear Crossroads Jacket.
I remembered reading an article in one of Sandra Betzina's books about making a silk jacket. It involved backing each piece with a matching piece of flannelette that was fused with interfacing. The flannelette gave body to the fabric while the interfacing gave it abit more, without being directly fused onto the silk. I hand basted each piece (exhausting!!) with the 3 layers before sewing them together and then lined the piece in more of the orange silk.
Thee garment needed closures of some sort and I had purchased some buttons at a flea market in Madison that were just perfect - men's heads in a scale that matched the print to perfection. I used a covered snap as a closure underneath and then sewed the buttons onto the front band as decoration. So glad I waited for the perfect garment and the silk feels wonderful when I wear it!
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